Greeks, Romans, Moors, Normans, Spaniards, Garibaldi and his thousand, and finally hordes of tourists have visited Sicily over the milennia. Some stayed for centuries, some only for generations, but even those whose sojourn was comparatively brief played a role in the island’s blending of cultures and traditions.

If this human concoction can be distilled into a single dish, it might be pasta con le sarde. A strikingly simple plate of spaghetti, fennel, onions, and sardines garnished with golden raisins (sultanas) and pine nuts, but its layers of flavor and texture speak of Sicily’s multifarious heritage. Grapes, introduced by the Greeks in the 7th century BC, combining with the tradition of using dried fruit in savory dishes adopted from the Moors, the abundant use of saffron borrowed from the Spanish Bourbon monarchy, and the native reliance on cheap and readily-available ingredients of the highest quality in the onions, foraged wild fennel, pine nuts and the island’s golden olive oil.

And, just like the variegated Sicilian identity, the disagreements over what constitutes a real pasta con le sarde are multihued. Some prefer a thicker long pasta like perciatelli or bucatini over spaghetti, some add breadcrumbs, some refuse to add anchovies, others only saute half the sardines with the sauce, breaking the other half into mix after the pasta has been added to the pan, and yet others would crumble almonds over the assembled dish and bake it in a moderate oven for 20 minutes. The biggest philosophical difference though, lies in the presence of tomato paste. Palermitano’s typically leave it out altogether, whereas cooks further west and south in Trappani, Marsala and, particularly Agrigento, would claim it as an essential ingredient.

Ever the diplomats, we (probably to the aggravation of native Sicilians) chose the middle ground, and elected to use anchovies and bucatini, leave out the tomato paste, cook all the sardines in the sauce, and add both breadcrumbs and broken almonds, but we chose not to bake it. It was wonderful: crunchy, salty and sweet, and with a profound maritime flavor overlaid perfectly by the fennel.

Those of you with an aversion to small oily fish should probably avoid this dish completely for substitutions of whiter, milder species cannot be recommended, unless even greater Sicilian wrath is desired. And, if encouragement to try something different is needed, look no further than the twin factors of wholesomeness and economy. Sardines and pasta are still very affordable, and, for us, halfway through a month-long meatless regimen ahead of a warm weather vacation, it checked all the taste and healthful boxes.

It also checked the seasonal box, for, strictly-speaking, this dish should only be eaten between March and September when wild fennel can be found extending its spidery fronds all over the island’s uplands. For those of us without wild ingredients to hand, or such a favorable climate, cultivated fennel plus a scant 1/4 teaspoon of ground fennel seeds (or a smaller quantity of fennel pollen), provide a similar perfume.

Please note that one should always use the freshest possible sardines, and not just for this recipe. The oilier the fish, the shorter the shelf life – hence why anchovies are so often salted and in oil – and the general rule of thumb is 8-12 hours out of water is about as long as it takes for sardines to go from glorious to gory mess. You can certainly freeze them too, but like most fish, especially small ones, the defrosting process has to be slow and delicate to prevent them from getting mushy.

*Credit should be given to Ferdinando’s Focacceria for inspiring us to cook this dish.

There’s a show on public television here in America called “Moment of Luxury” in which the host very generously enjoys all manner of fine things on our behalf and then shares his collected pensees about the experience. Traveling around the food blogosphere lately has felt like a surprisingly similar experience for us since our three month old prevents us from experiencing any luxury ourselves.

Tough titty, I hear you cry. Fair enough, we have lived rather high on the hog these last several years and have been blessed with several unforgettable moments of luxury along the way, but like the princess and the pea, we are finding our current rather straightened circumstances somewhat uncomfortable.

Turning over a new (year’s) leaf, determined to gripe no longer and return to being active participants in our (gastronomic) lives, we had a deuce of a time this past weekend putting together some foie gras and wild mushroom ravioli, in the hope we would be able to enjoy at least one or two moments of luxury. Inspired by ZenChef’s oxtail and foie gras ravioli and our experience eating escargot-stuffed ravioli in France (both) around this time last year (when we bought the can of foie gras we used), we took a brief flight of fancy in the accompanying sauce, combining porcini stock, balsamic vinegar and red currants into a sort of impromptu agrodolce. Some dry roasted wild mushrooms completed this, quite frankly, sublime dish.

Savoring these rich and blissful parcels certainly felt like a moment of luxury. Indeed, when we were roused moments later from this temporary reverie by infantile caterwails echoing from the nursery, these few seconds of pleasure were all the more significant providing much-needed encouragement for us to gird our loins once more for our nightly skirmishes with our darling offspring.

I daresay there is a traditional dish from somewhere on the Italian peninsula that resembles this dish in some way, but in a radical, free-form departure from our blogging norms, we didn’t follow any kind of recipe here nor do the slightest bit of research in preparation. By way of an excuse, we didn’t really have time.

We’d been out for almost the entire day on yet another soul-destroying search for a new place to live, and, feeling rather bilious and irritable, were in need of emotional restoration. Returning to our soon-to-be former residence, we passed the Japanese-run fishmongers and noticed a small pot of monkfish liver just aching to be ours. Then, passing Russo’s our neighboring Italian specialty store, we bagged ourselves a box of their freshly-made spaghetti alla chitarra. Some light cream that needed finishing off, some chopped garlic, a splash of white wine, a sprinkle of chopped parsley, and fifteen minutes later, we were enjoying a the slightly bitter, oily maritime flavor of monkfish liver with a glass of chewy, slightly leathery Basilicatan aglianico. And if we weren’t completely emotionally restored afterward, we were hopeful enough to risk making another series of appointments to see terminally-dismal overpriced Brooklyn apartments the next day.

In the single beat of a butterfly’s wing causing a hurricane sense, I am convinced this dinner had a key influence on our house-hunting travails, as by sundown the following day we were the mightily relieved soon-to-be tenants of an actual house. In fact, it’s a pity monkfish liver is such poor material for an amulet, otherwise I feel certain I would be henceforth sporting an oily brown luck charm around my neck.

It might be generational, or, perhaps, philosophical, but there are, on the one hand, those who enjoy and appreciate handmade things, and the art and craft they require to make, and, on the other, those who prefer their things machine-made, reliable, and standard. The ‘things’ here could be quite literally anything. My father, who, to me, is the quintessential scientist and pragmatist, believes that most, if not all, advances for the betterment of mankind have come as a result of the increased use and application of machines, technology and science. In fact, he would argue, I’m sure, that this blog is evidence of the fact that even something as Luddite as cooking can be improved through the application of technology, though regular readers – with good reason – may not agree.

My mother was cut from very different cloth however, and, though a nurse who believed sincerely in the power of modern medicine, sanitation and inoculation, she was a true amateuse of a hand-turned chair-leg, a cut-glass goblet, and, much to the detriment of my appearance during my tender years, a hand-knitted sweater.  She was also a great lover of gardening, baking bread and, despite the fact that it rarely worked, yogurt-making. I think it’s from her that I get most of my culinary instincts, as the very notion of spending three or four hours in the kitchen doing anything would horrify my dad.

Pasta-rollers, like all machines, were invented for three main reasons: (1) to produce more quickly what used to take a long time (2) as a uniform-quality product, and (3) so that the resulting free time could be spent either more enjoyably or industriously. The assumption behind it seems to be that it makes it easier to make something that is typically quite tricky, and that the making of it by hand was a laborious pain in the ass. Those who have used a pasta roller, whether the hand-crank variety or the KitchenAid attachment, know, as we do, that it is a fabulous invention and enables even the busiest gastronome to home-make great fresh pasta in a relatively short time. They might also have found that it is actually fun to use because it combines the joy of mixing a dough by hand with the ease and convenience of not having to roll it out and cut it yourself.

Taking this notion of fun to its logical extreme this past weekend, I decided to devote my entire Sunday to doing the whole thing – the mixing, the rolling and the cutting – by hand. In spite of the recipe book’s warning that it was a painstaking exercise, I had little idea of what I was getting into. I now have a profound appreciation both for labor-saving machines, and the unique taste, texture and satisfaction derived from hand-rolled pasta.

But it is more than that. I learned something about myself on Sunday. In some ways, it was a revelation. I had always thought that I appreciated handmade things, particularly food and wine, with the all patience, care and skills that their creation implies, but I had never actually tested myself to see if I could enjoy hand-making something that required real patience and physical effort.  And, while there certainly were moments in which I did not enjoy being patient or the physical effort, on the whole, I really did find the process to be incredibly rewarding – relaxing almost. Not only did I (eventually, and with several abortive attempts) make some absolutely first-class pasta, but I learned a new technique and was, in the end, able to enjoy the fruits of my labor in a way I never have before.

Pici Keen

Famous for the lavish displays of wealth and the beautiful arts of the Renaissance found in Florence, Siena, Lucca and Pisa, Tuscans are, by contrast, rather austere in their culinary inclinations with their love of simple grilled meats, stewed beans and saltless bread. Such austerity requires the freshest and best ingredients in order to be delicious, and, fortuitously, Tuscany offers these up in great bounty. Similarly, it often requires great effort and technique.

So it is with Pici (also known as pinci — hand-rolled, eggless Tuscan thick spaghetti — perhaps the best example of this cucina povera (poor man’s cuisine) — utilizing only 00 flour, water, green Tuscan olive oil and a lot of time and effort. Indeed, it is my belief that what the poor, historically, lacked in wealth they more than make up for in patience, and disposable time. Originating from the Val d’Orcia region (the area between Montalcino and Montepulciano), pici are usually eaten with a rich meat sauce, often containing porcini mushrooms, but any hearty meat or game ragu would be a good choice.

The duck ragu recipe below is typical of the region of Arezzo which is the area where we got married in June 2007, and making it engendered all those kinds of warm feelings one gets from a house filled with delicious smells and the wonderful memories of the time of our lives.

Learning a new skill, and in this case, a new recipe, is a matter of managing to overcome self-doubt. Before you attempt making pici, I would highly recommend you try making a regular long pasta with an egg dough, so that you understand how it should feel and look. It will also allow you to develop a sense about the right elasticity of a good dough which will be useful even though Pici dough is a very different creature altogether.

If you follow the exact instructions below, you’ll probably find that your dough feels too dry and too heavy. Do not be afraid to add more water and more oil as you see fit because eggless doughs can easily become brittle when allowed to be too dry. However, do not abandon hope. I urge you to stick with the basis of the recipe (allowing for various seasonal, regional, altitudinal and indoor-outdoor climactic conditions) and overcome your fears of impending culinary disaster, as they will not materialize. If it feels too dry, add more water. Too wet, add flour until it feels right. One word of caution, though: be sparing in any additions of liquid or lipids because at the hand-rolling stage you will be adding extra olive oil to reduce friction and facilitate the rolling process, and you don’t want to find at that stage that you have to start all over again.

Also, do give yourself plenty of time. An otherwise lazy Sunday afternoon is perfect for this, as not only does the pasta make a perfect Sunday night dinner, but, more importantly, it gives you time to rest as you go along. Making enough pici for four people can be a tiring business, even if there are two of you on the job. One final proviso, do not treat pici like regular fresh pasta — i.e. sprinkle it liberally with flour and allow to set-up and dry for a while prior to cooking. I refer to my earlier comments when I say that pici can dry out and become brittle very quickly, so when you make them, plan to eat them within, at most, a couple of hours. This might appear like a disadvantage but it’s not because once cooked they are probably more robust than regular pastas and even reheat remarkably well.

So, please try making this dish. The sauce is easy and indescribably good (I know everyone says that about their food, but, really, this is very special), and the pasta is a great reward for some hard graft both corporeally and in that it offers a real sense of achievement. By the time you’re done, you’ll have sore shoulders but will have mastered the rolling technique perfectly. As a result, pasta-making will have transcended the bland uniformity of the machine-age and become what all good food should be: absolutely unique and deeply personal.

As with a few other fellow bloggers, we were lucky to receive one of my favorite “blog freebies” to try recently – truffle products by La Boutique de la Truffe.  Cha-ching!  As some know, for most of us, blogging will barely help us buy a cup of coffee at a year’s end – that is if you have an ad up.  When we get offered to test out powdered sauces (gag) we usually pass, but when truffles were offered I jumped up and down like a little schoolgirl.  I know truffles seem to be that annoying foodie buzz word that gets all us food-lovers screaming like Beatles fans in the 60′s, but I still say they are worth the hype.  It is obvious we like them – a lot.  You’ll find truffle recipes all over We Are Never Full: like here and here and here. And if you indulge and buy something from La Boutique, it is an investment and one that will pay off in big flavor that really can not be duplicated any other way.

La Boutique de Truffe started in 2003 by a French immigrant, Cèline Labaune, who had a “passion for truffles” (straight from the media kit).  Why am I telling you this? Because if I am going to spend $35 for a 3-ounce pot of truffles, it helps to buy them from 1) someone who is passionate about them and 2) someone who is French and knows her stuff.  It used to be very difficult to get good quality truffle products here in the US and I can say, without hesitation, that the truffle products we received from La Boutique were very good.  Yes, it is still expensive but a little does go a long way.

For this quick dish (bite me Rachel Ray – this is a real 30 minute meal), we paired the nice truffles with an easy cream sauce with walnuts and bought fresh ravioli from our local Italian shop. If you don’t have a local Italian shop, it’s ok, you can use your favorite store-bought variety or even make your own. To top the ravioli, we only used a small amount of the Truffle Carpaccio we were lucky to try out.  While we were in Italy a while ago, we purchased a few white and black truffle products at an amazing store (where we dropped quite a few euro at, but it was worth it) -  Tartufi Morra in Alba.  For much more than La Boutique charges, we purchased an excellent tube of white truffle paste which lasted us more than a year – and which we sadly finished up with this dish.  I recommend buying this one from the La Boutique website – it is super strong and really, really lasts.

You could wow a few guests with this super simple dish – they’ll feel special because they’ll think you spent a lot of money on them but, in reality, per person it’s not a real bank-breaker.  But they don’t have to know… right?

At Via Clavature 18, hidden in the back streets of Bologna, is the comparatively charmless little Ristorante da Gianni. It’s dimly lit, almost to the point of stumbling darkness — especially if you enter, as we did, from the sharp rays of a late midsummers’ afternoon nursing a fierce hangover brought on by a handful of Negronis the night before — and is made even darker by heavy wood paneling on all sides and rather gruff service. However, it is famous among local gastronomes for its strictly traditional Bolognese fare, and as most food-obsessed people know intuitively, what they serve in such seemingly unlikely-looking places often more than makes up for what is lacking in atmosphere. So it was here.

I’ve rhapsodized previously about the wonder that was the deep-fried lamb chops I first ate there, and my wife has written extensively about both the outstanding ragu alla Bolognese and the equally scrumptious sausage ragu we tore through as our respective primi piatti that day, but (as part of a gargantuan meal that also included a giant-felling plate of bollito misto) these courses were preceded by a dish of such cunning, such laughter-inducing simplicity, that I have been wanting to make it ever since — just to see if it would tickle me in the same way again. Not only that, but it may also have been among the most effective hangover cures I have ever tried, for following it, I was able to play a more than active role in emptying three bottles of Barolo. So just what was this jovial and miraculous dish, you ask? Spuma di Mortadella sauced sparingly with the sweetest, honeyed, aged-balsamic vinegar I’ve ever had the privilege to taste.

“Ugh! Baloney foam! Why would you begin such a meal with that crap?”, I hear you cry. Well, you’re half-right. Spuma di mortadella is, in fact, nothing more than whipped “Bologna ham”, but it is also, simultaneously, so, so, so much more. Unfortunately, many Americans only know baloney/Bologna as the ubiquitous bright pink sandwich meat that has cursed many a child’s school lunch with its weird, cloying, yet plasticky, texture, and flavor somewhere between hairspray and old socks. But, as with many mass-produced things — from shoes to IKEA furniture — the handmade versions are not only completely different, they’re way better.

Mortadella, known as Bologna in the US because it was originally made only in the immediate vicinity of the city, is an ancient kind of emulsified (forcemeat) sausage that gets its name from the mortar (mortaio) and pestle that was used once-upon-a-time to grind up the pork and spices during preparation. Incorporating at least 15% pork fat — specifically the firm, white neck fat of the pig, and often as large cubes rather than ground up with the pork — mortadella can be flavored with a variety of things including, myrtle berries, black or white peppercorns, nutmeg, coriander, olives and pistachios. It is then cooked gently for as long as 24 hours, depending on the size of the mortadella (some weigh up to 100kilos/220lbs), in air-drying ovens, before being sprayed with cold water and allowed to stabilize in a cooling room.

In Emilia-Romagna, mortadella is often served as part of a salumi, or charcuterie, plate with a selection of the region’s staggeringly delicious cured pork products like, culatello di Zibello, coppa Piacentino, prosciutto di Parma, spalla cotta, zampone (at Christmas), or cappello di prete (a pinky-white forcemeat “sausage” that looks like a priest’s tri-cornered hat), but it can be used to make a wide variety of delectable treats, including spuma di mortadella.

The translation of spuma di mortadella to “mortadella foam” is unfortunate, and somewhat hyperbolic, because while the sausage is whipped and feels light on the tongue, it neither resembles foam in texture, nor sits like air on the stomach. Nonetheless, its simplicity is its brilliance: we simply combined first-rate mortadella (with the lumps of hard fat) with nutmeg and cream and whipped it into a light pink emulsion garnishing with pistachios and a drizzle of excellent balsamic vinegar (in our case, a 30 year old we had bought from a man with a very dubious hair-piece).

However, spuma di mortadella isn’t a one trick pony, quite the opposite. It also makes a fabulously rich filling for a stuffed pasta – which we sauced with garlic-infused butter. And, in a glorious return, tearing up its debased American bag-lunch roots, it is a kick-ass sandwich filling that would be the envy of any child in the playground. It’s even better when used as a topping for a montadito (small, open-faced sandwich, like a crostini or bruschetta) and mounted a cheval, with a poached egg.

We encourage you to give this one a try, even if you have remedial issues from being teased about your baloney-breath by the cool kids, because spuma di mortadella can make even the biggest nerd cool.

Ristorante da Gianni (A La Vecia Bulagna)
Via Clavature 18, Bologna, 40124 IT
T: 051-229434
Dinner €20-30 per person

As you may be able to tell, if you are a regular reader of this blog, we love mint.  We use it often in the summer because it grows like a freaking weed.  Because we live in Brooklyn, we barely have any outdoor space (but are very fortunate to have any). Yet, in that small space, we have many, many planters.  Over the years, we’ve managed to inadvertently kill many varieties of plants, flowers and veggies but nothing will kill our mint.  One season, a few things died unexpectedly and we thought maybe it was the soil (we coined the term “soil of death” during this depressing time – witty, I know).  The “soil of death” was most definitely used when we planted the mint and even that crap couldn’t kill it!  Mint is too often underused in cooking, which I don’t understand.  There are a quite a few varieties of mint and some people feel very strongly about it, usually either loving it or hating it (except when it’s used in their mojito or julep).  I love it but love it equally as much in my savory foods as  in sweets or alcoholic bevy’s.

Many are used to sage brown butter sauces so we figured why not try it with mint?  It was delicious.  The heating of the mint mellowed the flavor and added a fabulous “clean” flavor to the dish. It also balanced the creaminess of the butter and paired well with the cheese.  We added some breasaola because we had to use it up before it went off but if you are veggie, you can totally have a fabulous meal without it.  I think some pancetta or guanciale could work as well.  We found fresh fava beans which are still in season and they gave the dish a bit of chew.  Don’t be scared off by making your own gnocchi.  You can follow our easy-to-read instructions.  Gnocchetti just refers to the size – we cut our gnocchi much smaller than we usually do about 3/4 an inch long.  We decided not to run each gnocchi over a fork, hence why they don’t have their traditional ‘ridges’.

So embrace your mint, give it some love.  Hell, you don’t even need to tend to it in your garden unless it’s taking it over and killing your other plants (which can definitely happen).  If it is, make a huge batch of this dish, make a giant vat of mojitos and forget your problems.

This dish was so easy, I could have cried as I cut my onions. I had a hankering for fresh crab and, because it was a weeknight, I saved time and energy by purchasing already shelled crab (not to ever be confused with something that makes me want to gag called krab).   This dish actually raised my mood from not-too-hot (about a 3 on a scale from 1 to 10) to feeling incredibly good (a good 9/9.5).  Sometimes a good dinner can just do that.  The lemon brightened the finished product up, the fennel gave it a bit of crunch and sweetness.  Crab and fresh cherry tomatoes always remind me of warm summer days which, naturally, make me smile.

If we had any leftovers I would’ve loved to have tasted it cold. I actually think it could make a great may0-less pasta salad.  You could also chop up some sauteed softshell crabs and use them instead of the fresh crab.  Maybe I’ll wait for a real summer day to give that a try.  Until then, I urge you to give this a try!