Greeks, Romans, Moors, Normans, Spaniards, Garibaldi and his thousand, and finally hordes of tourists have visited Sicily over the milennia. Some stayed for centuries, some only for generations, but even those whose sojourn was comparatively brief played a role in the island’s blending of cultures and traditions.

If this human concoction can be distilled into a single dish, it might be pasta con le sarde. A strikingly simple plate of spaghetti, fennel, onions, and sardines garnished with golden raisins (sultanas) and pine nuts, but its layers of flavor and texture speak of Sicily’s multifarious heritage. Grapes, introduced by the Greeks in the 7th century BC, combining with the tradition of using dried fruit in savory dishes adopted from the Moors, the abundant use of saffron borrowed from the Spanish Bourbon monarchy, and the native reliance on cheap and readily-available ingredients of the highest quality in the onions, foraged wild fennel, pine nuts and the island’s golden olive oil.

And, just like the variegated Sicilian identity, the disagreements over what constitutes a real pasta con le sarde are multihued. Some prefer a thicker long pasta like perciatelli or bucatini over spaghetti, some add breadcrumbs, some refuse to add anchovies, others only saute half the sardines with the sauce, breaking the other half into mix after the pasta has been added to the pan, and yet others would crumble almonds over the assembled dish and bake it in a moderate oven for 20 minutes. The biggest philosophical difference though, lies in the presence of tomato paste. Palermitano’s typically leave it out altogether, whereas cooks further west and south in Trappani, Marsala and, particularly Agrigento, would claim it as an essential ingredient.

Ever the diplomats, we (probably to the aggravation of native Sicilians) chose the middle ground, and elected to use anchovies and bucatini, leave out the tomato paste, cook all the sardines in the sauce, and add both breadcrumbs and broken almonds, but we chose not to bake it. It was wonderful: crunchy, salty and sweet, and with a profound maritime flavor overlaid perfectly by the fennel.

Those of you with an aversion to small oily fish should probably avoid this dish completely for substitutions of whiter, milder species cannot be recommended, unless even greater Sicilian wrath is desired. And, if encouragement to try something different is needed, look no further than the twin factors of wholesomeness and economy. Sardines and pasta are still very affordable, and, for us, halfway through a month-long meatless regimen ahead of a warm weather vacation, it checked all the taste and healthful boxes.

It also checked the seasonal box, for, strictly-speaking, this dish should only be eaten between March and September when wild fennel can be found extending its spidery fronds all over the island’s uplands. For those of us without wild ingredients to hand, or such a favorable climate, cultivated fennel plus a scant 1/4 teaspoon of ground fennel seeds (or a smaller quantity of fennel pollen), provide a similar perfume.

Please note that one should always use the freshest possible sardines, and not just for this recipe. The oilier the fish, the shorter the shelf life – hence why anchovies are so often salted and in oil – and the general rule of thumb is 8-12 hours out of water is about as long as it takes for sardines to go from glorious to gory mess. You can certainly freeze them too, but like most fish, especially small ones, the defrosting process has to be slow and delicate to prevent them from getting mushy.

*Credit should be given to Ferdinando’s Focacceria for inspiring us to cook this dish.

Almost seven years ago I journeyed from Santillana del Mar to Santa Maria de Lebaña via San Vicente de la Barquera. So many saints, so much devotion, that it was little surprise to learn that beyond the monastery of Santo Toribio de Liébana and through the Picos de Europe lies the hallowed ground of Covadonga.

It was at the battle of Covadonga in 718 that Christian Spain under Pelayo, King of Asturias, began the reclamation of Iberia from the Muslim Moors. Nestled deep within the Asturian mountains, Covadonga is as important to the Spanish national myth as Hastings is to the British or Lexington to Americans. However, history defies such over-simplification – the linear narrative of one thing followed by another – and it is too easy to say that simply because certain events turned out the way they did there were no other possibilities. Indeed, a sentence stating that the defeat of a Moorish army by a Spanish king at Covadonga began the reconquest of Spain – which culminated in Ferdinand and Isabella vanquishing Boabdil, Emir of Granada, in 1492 – encompasses more than 700 years and glosses over seven whole centuries of war, shifting borders, switching alliances, inter-marriage, suffering and grief.

It is with this in mind that I wonder if it’s an exaggeration to suggest that had the battle at Covadonga ended differently the whole course of western history, and therefore of the world, would have been affected. Spanish historian Claudio Sanchez-Albornoz does not believe so. “Si los musulmanos no hubiesen conquistado el España en el siglo VIII, los españoles no habrian conquistado America en el XVI.”* For him it follows that what began there in the 8th Century resulted in a militarized and battle-hardened Spain conquering much of the New World.

For me, and my own personal sense of history those seven years ago, a dinner of beans, pork belly, chorizo and morcilla suggested just as plausible a theorem: that had not the Asturian armies under Pelayo feasted on fabada in preparation for the fight the next day, there may have been another outcome. And while personal experience suggests that after a hearty meal of this kind one is utterly disinclined to remaining awake, let alone to feeling lively enough to bum rush a horde of scimitar-brandishing Berbers, I still feel that this notion has validity. After all, how could one’s sense of local patriotism and desire to defend one’s homeland fail to be stirred by such a dish? That the culinary use of saffron arrived in the far north of Spain via these same Moorish invaders and the integral ingredient smoked pimentón wasn’t to be discovered for another eight centuries following the conquest of Mexico doesn’t disprove this hypothesis, rather it merely serves to highlight, once again, the non-linear path of history.

(If the Muslims had not conquered Spain in the 8th century, the Americas wouldn’t have been conquered by the Spaniards in the 16th.”)

In the very infancy of this blog, back when we had no appreciation for plating, lighting or anything else remotely aesthetic, my wife wrote about the first course of a truly memorable dinner we shared in the famous Florentine trattoria, Coco Lezzone. What she didn’t mention was that even though we were getting towards the end of our nearly month long sojourn in Italy that encompassed our wedding and honeymoon, by the time we wound up in that jewel of the Renaissance, we were feeling rather sorry for ourselves.

Two days earlier, we had arrived in Genoa after a magnificent and occasionally hair-raising drive through the rugged terrain of the lower reaches of Piemonte and Liguria, to find that the guest-house we had booked was expecting us the day before. Twenty-four hours off schedule, and with a large shipping conference dominating Genoa’s hotels for the rest of the week to complicate matters, we were unceremoniously turfed out of said accommodation the following morning. While I, who have been invited to leave much less salubrious establishments than this, met the news with a certain equanimity, without a roof under which to shelter, and quite literally no room at the inn, the combined strain of having single-handedly planned a wedding and honeymoon from New York suddenly hit my poor wife like a tidal wave, and gushing tears of frustration and exhaustion ensued. Where comforting nuzzles from Tim the hotel dog weren’t enough, a liter carafe of white wine and two dozen fried anchovies seemed to have a medicinal effect, but, as calming as that lunch was, in a fit of pique we still decided to put Genoa in our rearview mirror and hit the E80 autostrada down the coast into Tuscany.

After a magnificent drive, framed on our right by the sparkling Mediterranean and on our left by the often white, marble-rich mountains of the Ligurian Apennines, we rolled in to Florence just as the westering sun was painting the city’s monuments the luminous color of dried apricots. Spirits partially restored, and safe in the knowledge that our reservation for the night was kosher, we immediately set out to find something delicious as a salve for our emotional wounds.

Among the several traditional Tuscan comestibles we over-indulged in that evening was a rabbit roll, or involtino di coniglio, stuffed with prosciutto, boiled egg and sage. Dressed very simply with Luccan olive oil and aged balsamic vinegar, it screamed the Spartan simplicity for which Tuscan fare is best-known. In some ways, it also exemplified the ethos of our trip. I suspect some of the wedding guests may quibble, but in our opinion, both wedding and honeymoon, had a pared-down, no frills sense about them. Only a hard core of essential people attended the wedding, and there was little time for luxuriating on a honeymoon in which we banjoed our way around 10 northern Italian cities in a tiny, canary yellow motor.

On our gentle post-prandial stroll, feeling all rosy and content from food, wine and warm night air, we encountered a pair of English honeymooners who asked us in charming pidgin Italian, “por favore, it’s nostra luni da miel…!” to photograph them in front of Santa Maria del Fiore. We were then playfully accosted by a group of tipsy Sicilian students from Catania who made us sing football songs with them and insisted we all shake hands in the traditional, forearm-grasping Roman-style before they would let us depart. This memorable meal and displays of unprovoked goodwill sent us to bed marveling at how such basic pleasures can make ones mind transcend apparent troubles. An important lesson.

In truth, we are fully aware that this was just another sybaritic moment in a month of indulgence, and not worthy of anyone’s sympathy, but I was reminded of this experience and its underlying moral recently when the trepidation induced by the impending arrival of our first-born began to get the better of me. I suspect we shall be leaning heavily on these twin crutches of simple dishes and human kindness very soon.

He’s certainly not the first to make such a remark, but when in a recent episode of his PBS show Mexico: One Plate at a Time, chef Rick Bayless commented that Mexican food may be the first “fusion cuisine” in the Americas, the concept resonated with me. The collision of cultures and culinary traditions that resulted from the European conquest of the Americas had as profound and delicious consequences for its Spanish, French and English protagonists as it had on the diets of its unwilling Native American and African antagonists. Indeed, and here I understand that I’m on sensitive ground, in cultural terms one might venture that one of the few short term benefits, that became a long term legacy, of this brutal period was the fabulous variety of new dishes that resulted from this coming together of New World, European and African ingredients and techniques.

Anthropologists and historians generally agree that apart from Brazil, the islands of the Caribbean are the most “Africanized” countries of the Americas because the extraordinarily harsh conditions, and consequential high slave mortality rate, in these places required that the plantation’s human capital be almost constantly replaced, continually refreshing African traditions. This sad history has allowed for the persistence of several West African cultural traditions, in syncretic religions like Haitian voodoo and Brazilian candomblé, as well as a variety of typical dishes, in the New World. Chief among the latter of these is the filling cassava mush known throughout much of Central and Western sub-Saharan Africa as fufu.

Most commonly served with a tomato or peanut based soup – which is sometimes garnished with seafood – fufu (fufuo, foufou, fougou) is believed to have originated in Twi-speaking regions of modern-day Ghana where the word foufouep (p is silent) means white and refers to the color of the cassava flour used in its preparation. When cooked with hot water and stirred to a similarly thick consistency as polenta or grits, and served on the side of a bowl of soup (or on a central platter), the diner takes a pinch of fufu, rolls it into an olive sized ball, makes an indentation with their thumb and uses it as an edible spoon for the soup.

The traditional shrimp and grits of the American South is, among many other variants, a direct descendant of fufu, where the American staple cornmeal has replaced cassava. In modern-day Cuba, one of the most traditional Afro-Cuban dishes, fufu de platano, has an even more direct bloodline to its African forebear in its use of that other West African starch, the green plantain.

Very similar to Cuban fufu is the joyously monikered mofongo of Puerto Rico – a dish that is so unbelievably delicious that it is even more fun to eat than it is to pronounce. Whereas fufu is often just mashed boiled plantains, mofongo (sometimes mofongu) is fried plantains that are then doused in a heavily-garlicked olive oil sauce while being pounded in a mortar. The mofongo is often then mixed with chopped up chicharrones (deep-fried pork belly cracklins), and shaped into a mound, before being dressed in an intensely savory tomato and shrimp-stock based gravy and garnished with sauted or fried shrimp.

More or less understood to be one of, if not the, national dishes of Puerto Rico, mofongo represents the creole (criolla) culture of that island in a truly unique way. The exotic tropical plantains native to Africa blending seamlessly with Caribbean-influenced sofrito used in the sauce and the typically Iberic flavors of olive oil and garlic into a colorful feast for the senses.

And a feast dish mofongo truly is. A Puerto Rican festival is said to be incomplete without mofongo, and this on an island where the perennial feast-time favorite, the long slow roasted pork dish called pernil is accompanied by both rice and beans and tostones. The competition in terms of delicious flavors being nothing short of extreme on that blessed island. Of course, we tend to wax lyrical about all the food we make here on WANF, but I want to stress that you have no idea just how amazing mofongo is, you just have to trust us and try it. It’s so rich, so intensely flavored, so texturally intriguing, and so quite unlike anything you’re likely to have eaten before. It’s a stunning combination that is as easy on the soul as it is invigorating for the intellect.

We first ate mofongo at one of a pair of fascinating restaurants in our Brooklyn neighborhood that have been serving the flavors of home to the area’s Caribbean population for more than 40 years. El Viejo Yayo (and El Viejo Yayo II) (meaning, roughly, the old man, or the grandfather), are the kinds of places – bright, harsh lighting, giant portions, patronized mostly by Latinos – that are a dying breed in our gentrified nabe, but can be relied upon for traditional island cuisine for these exact reasons. El Viejo Yayo serves a variety of mofongos, some as mains, others (almost unimaginably given their size) as side dishes, some with seafood, others with pork, and no matter how hard we try, it’s nearly impossible not to get one, in spite of the other wonderful offerings on their menu, including an outstanding soupy rice with seafood. [A propos of nothing, it's always interested me that they also make a mean brandy alexander, just one of many retro cocktails that they, unlike trendier places, never stopped making.] Under the bright strip lights, perspiring gently as pork and carbohydrates flood our system, we’ll often look around at our fellow diners – elbows on tables, giant plates or bowls in front of them, talking loudly and energetically gesticulating – and remark how lucky we are to have all this delicious diversity on our doorstep.

It sounds rather trite to conclude any piece about food in this way, but out of the myriad sadnesses of a shameful past shrouded in human misery, suffering and squalor, has risen, in mofongo (amongst the New World’s many great dishes), a gastronomic legacy that is truly a cultural phenomenon to celebrate and be proud of. And, perhaps, therein lies one of enduring maxims of great national dishes, that they speak simultaneously of what is ugly and painful as well as beautiful and serene about a country’s character, while reflecting the shared joy and peace to be found in the simple pleasures of the table.

We’re certainly not the first bloggers to find ourselves stretched thin between the demands of our regular working lives and the rather strange, post-modern existence we eke out on the interwebs, and, as happens to us every now and then, we’re kind of in the middle of one of those periods right now. Combine that with the fact that it’s been crazy hot here lately — making the prospect of getting creative in the kitchen of our sweat-lodge-like four-story walk-up apartment distinctly unattractive — and our resulting culinary output has been truly meager.

On the few occasions we have been behind the burners, it’s only been for short periods, and, in this case, just long enough to cook marinaded baby octopus a la plancha in a cast-iron skillet. This is the result. It was delicious, and, yes, our apartment was a few hundred degrees for the rest of the evening. Seeking to avoid these sauna conditions, we have recently resorted to the dangerously illegal practice of grilling things over a tiny fold-up barbecue on the roof of our apartment building. With a bit of luck, the steamy conditions will break before repeated exposure to grilling temperatures melts a sink-hole into the ceiling above us.

Sitting around the table last night with gusts of strong breath coloring our domestic atmosphere, Amy and I were considering the profound effect garlic has on Spanish cuisine, and we wondered aloud whether any other national cuisine makes such abundant and varied use of the perfumed rose. Certainly, French and Italian food incorporate garlic with spectacular results, as do Greek, most other Mediterranean cuisines, as well as Chinese and Indian, but if there’s a cuisine that, to us, is characterized by garlic, it’s Spanish.

All of which is great, unless you happened to be sitting next to us this morning on the subway, as last night we ate two of the most highly odoriferous dishes in the Iberian canon – patatas a lo pobre and pollo al ajillo. The humble, peasant roots of both these dishes (the former translating as poor man’s potatoes) rely heavily on large quantities of garlic to elevate the otherwise prosaic ingredients to a higher plane. The garlic somehow acts both as a spice and an acid, flavoring the dish while simultaneously cutting through and balancing the olive oil.

We recommend you make enough of both these dishes to share, not just because they make delicious tapas-style small plates, but because you’ll want to surround yourself with similarly pungent folk to avoid people covering their faces and shuffling away down the train as if you had the plague. On the other hand, you do far worse than gain a little extra personal space in this congested city of ours. Maybe we’ve hit on a smart new commuting tactic?

It is no coincidence that, in the 30 years since Franco’s death, Spanish creativity in the arts, architecture, business, and gastronomy has blossomed. It is also no coincidence that it has been, predominantly, though not exclusively, Spain’s sub-national and regional groups — who were repressed most viciously by the Fascist dictator — that have led this rebirth. Valencian architect Santiago Calatrava, designer of some of the most stunning buildings of all time, and Catalonian Ferran Adría, who runs what is, almost undisputedly, the world’s best restaurant, are but two whose genius has prospered in the post-Franco era. One could also point to more general trends of economic prosperity (prior to the recent global meltdown) in formerly moribund provincial cities like Bilbao and the resurgence of regional languages as evidence of this Spanish renaissance in recent times.

The Basque Country (País Vasco) has always been somewhat removed from mainstream Spanish affairs, even prior to the 20th century. Linguistically, ethnically and culturally unique, and surrounded on all sides by Indo-European speakers, the Basques have survived millennia of both active and passive discrimination, keeping their traditions alive with stubborn tenacity. One might be forgiven then, for assuming that these remarkable and unique people are a population of stolid conventionalists, unable or unwilling to change their habits. One would be wrong.

Historians trace the epicenter of today’s wave of Spanish gastronomic innovation to a small kitchen in San Sebastian (Donostía) in the mid-1970s. At his eponymous restaurant, Arzak, Juan Mari Arzak pioneered New Basque Cuisine (nueva cocina vasca) virtually single-handedly. Taking inspiration from the French nouvelle cuisine revolution of the late 60s — especially from Michel Guérard, whose spa-restaurant at Eugenie-les-Bains between Bordeaux and Biarritz was a particularly fine ‘local’ example — he began creating lighter and less rustic dishes from the finest traditional Basque ingredients and time-honored Basque techniques. Arzak has been so extraordinarily successful in this that not only do world-famous chefs Ferran Adría and Karlos Arguiñano credit him with heavily influencing their cooking, but his restaurant has retained the 3 Michelin star-rating it achieved in 1989, and only last year it was named the 8th best restaurant in the world.

Anyone who has eaten Basque food knows that it is characterized by simple, unadorned dishes with a weighting towards the maritime, like Marmitako (a tuna and tomato stew), Bacalao al Pil-Pil (salt cod in a spicy garlic sauce), and Txangurro (stuffed crabs), and Juan Mari Arzak’s signature dish — his hake in green sauce with clams — is of this same ilk, featuring very basic ingredients and unfussy technique.

Two things make Juan Mari Arzak such a revolutionary and this dish so seminal: (1) when he first made it, the dish demonstrated exquisitely, and for perhaps the first time by a Spanish chef, that Iberian dishes, Iberian ingredients and Iberian traditions could constitute haute cuisine — an idea that, today, resonates globally; (2) he showed in this dish that the cooking of the future would be as much, if not more, about what you didn’t do to the food as what you did do to it — a truly revolutionary notion at a time when the elaborate and time-intensive dishes of classic French gastronomy were still considered the pinnacle of the culinary arts.

Hake (merluza) is a staple of Spanish seafood cooking, and indeed, so influential has Arzak been that versions of this dish are still, 35 years later, pretty commonplace in Spain. I first ate it at a hole-in-the-wall tasca behind the Plaza Mayor in Salamanca years ago and I can still see its beautiful green color and feel the silkiness of the fish in my mind. Sadly, and for no good reason I can fathom, hake is difficult to get hold of on this side of the Atlantic and obtaining other white fish with similar properties is also problematic for the ethical consumer due to issues of over-fishing and scarcity. Nonetheless, sustainably managed Pacific cod is fairly readily-available, and most mild-flavored white fish, if left skin-on to keep it intact, will make a perfect substitute.

Juan Mari Arzak’s revelation of allowing the ingredients to speak for themselves is taken to its logical extreme here as he hardly applies his hands or any heat to create what is a fully cooked dish. Understanding that white fish can dry out and quickly fall apart if not dealt with delicately, all he does is gently caress it around a barely warm pan with garlic, olive oil, parsley, clam juice and wine. The emulsion created by this careful preparation is as sweet and elegant as you would expect from a three Michelin star chef, but with a flavor as robust as the ancestral Basque fare from which it comes, and as spirited as the revolution it began. Vivá la Revolucíon!

It might be generational, or, perhaps, philosophical, but there are, on the one hand, those who enjoy and appreciate handmade things, and the art and craft they require to make, and, on the other, those who prefer their things machine-made, reliable, and standard. The ‘things’ here could be quite literally anything. My father, who, to me, is the quintessential scientist and pragmatist, believes that most, if not all, advances for the betterment of mankind have come as a result of the increased use and application of machines, technology and science. In fact, he would argue, I’m sure, that this blog is evidence of the fact that even something as Luddite as cooking can be improved through the application of technology, though regular readers – with good reason – may not agree.

My mother was cut from very different cloth however, and, though a nurse who believed sincerely in the power of modern medicine, sanitation and inoculation, she was a true amateuse of a hand-turned chair-leg, a cut-glass goblet, and, much to the detriment of my appearance during my tender years, a hand-knitted sweater.  She was also a great lover of gardening, baking bread and, despite the fact that it rarely worked, yogurt-making. I think it’s from her that I get most of my culinary instincts, as the very notion of spending three or four hours in the kitchen doing anything would horrify my dad.

Pasta-rollers, like all machines, were invented for three main reasons: (1) to produce more quickly what used to take a long time (2) as a uniform-quality product, and (3) so that the resulting free time could be spent either more enjoyably or industriously. The assumption behind it seems to be that it makes it easier to make something that is typically quite tricky, and that the making of it by hand was a laborious pain in the ass. Those who have used a pasta roller, whether the hand-crank variety or the KitchenAid attachment, know, as we do, that it is a fabulous invention and enables even the busiest gastronome to home-make great fresh pasta in a relatively short time. They might also have found that it is actually fun to use because it combines the joy of mixing a dough by hand with the ease and convenience of not having to roll it out and cut it yourself.

Taking this notion of fun to its logical extreme this past weekend, I decided to devote my entire Sunday to doing the whole thing – the mixing, the rolling and the cutting – by hand. In spite of the recipe book’s warning that it was a painstaking exercise, I had little idea of what I was getting into. I now have a profound appreciation both for labor-saving machines, and the unique taste, texture and satisfaction derived from hand-rolled pasta.

But it is more than that. I learned something about myself on Sunday. In some ways, it was a revelation. I had always thought that I appreciated handmade things, particularly food and wine, with the all patience, care and skills that their creation implies, but I had never actually tested myself to see if I could enjoy hand-making something that required real patience and physical effort.  And, while there certainly were moments in which I did not enjoy being patient or the physical effort, on the whole, I really did find the process to be incredibly rewarding – relaxing almost. Not only did I (eventually, and with several abortive attempts) make some absolutely first-class pasta, but I learned a new technique and was, in the end, able to enjoy the fruits of my labor in a way I never have before.

Pici Keen

Famous for the lavish displays of wealth and the beautiful arts of the Renaissance found in Florence, Siena, Lucca and Pisa, Tuscans are, by contrast, rather austere in their culinary inclinations with their love of simple grilled meats, stewed beans and saltless bread. Such austerity requires the freshest and best ingredients in order to be delicious, and, fortuitously, Tuscany offers these up in great bounty. Similarly, it often requires great effort and technique.

So it is with Pici (also known as pinci — hand-rolled, eggless Tuscan thick spaghetti — perhaps the best example of this cucina povera (poor man’s cuisine) — utilizing only 00 flour, water, green Tuscan olive oil and a lot of time and effort. Indeed, it is my belief that what the poor, historically, lacked in wealth they more than make up for in patience, and disposable time. Originating from the Val d’Orcia region (the area between Montalcino and Montepulciano), pici are usually eaten with a rich meat sauce, often containing porcini mushrooms, but any hearty meat or game ragu would be a good choice.

The duck ragu recipe below is typical of the region of Arezzo which is the area where we got married in June 2007, and making it engendered all those kinds of warm feelings one gets from a house filled with delicious smells and the wonderful memories of the time of our lives.

Learning a new skill, and in this case, a new recipe, is a matter of managing to overcome self-doubt. Before you attempt making pici, I would highly recommend you try making a regular long pasta with an egg dough, so that you understand how it should feel and look. It will also allow you to develop a sense about the right elasticity of a good dough which will be useful even though Pici dough is a very different creature altogether.

If you follow the exact instructions below, you’ll probably find that your dough feels too dry and too heavy. Do not be afraid to add more water and more oil as you see fit because eggless doughs can easily become brittle when allowed to be too dry. However, do not abandon hope. I urge you to stick with the basis of the recipe (allowing for various seasonal, regional, altitudinal and indoor-outdoor climactic conditions) and overcome your fears of impending culinary disaster, as they will not materialize. If it feels too dry, add more water. Too wet, add flour until it feels right. One word of caution, though: be sparing in any additions of liquid or lipids because at the hand-rolling stage you will be adding extra olive oil to reduce friction and facilitate the rolling process, and you don’t want to find at that stage that you have to start all over again.

Also, do give yourself plenty of time. An otherwise lazy Sunday afternoon is perfect for this, as not only does the pasta make a perfect Sunday night dinner, but, more importantly, it gives you time to rest as you go along. Making enough pici for four people can be a tiring business, even if there are two of you on the job. One final proviso, do not treat pici like regular fresh pasta — i.e. sprinkle it liberally with flour and allow to set-up and dry for a while prior to cooking. I refer to my earlier comments when I say that pici can dry out and become brittle very quickly, so when you make them, plan to eat them within, at most, a couple of hours. This might appear like a disadvantage but it’s not because once cooked they are probably more robust than regular pastas and even reheat remarkably well.

So, please try making this dish. The sauce is easy and indescribably good (I know everyone says that about their food, but, really, this is very special), and the pasta is a great reward for some hard graft both corporeally and in that it offers a real sense of achievement. By the time you’re done, you’ll have sore shoulders but will have mastered the rolling technique perfectly. As a result, pasta-making will have transcended the bland uniformity of the machine-age and become what all good food should be: absolutely unique and deeply personal.

Perhaps surprisingly given that we’ve been deluged with guests for the last month, we haven’t actually cooked for them much, or at least, cooked anything we’d dare post. As anyone who’s been a host knows, having guests is an exhausting experience, but especially so when you’re playing the role of tour guide too, so here are two simple side dishes instead of something that required more lengthy preparation.

We ate them with some enormously meaty lamb rib chops and a fat lump of hanger steak that had both been rubbed with a chipotle-cumin-Mexican oregano mix. A hearty red Zinfandel accompanied it all fearlessly.