In the very infancy of this blog, back when we had no appreciation for plating, lighting or anything else remotely aesthetic, my wife wrote about the first course of a truly memorable dinner we shared in the famous Florentine trattoria, Coco Lezzone. What she didn’t mention was that even though we were getting towards the end of our nearly month long sojourn in Italy that encompassed our wedding and honeymoon, by the time we wound up in that jewel of the Renaissance, we were feeling rather sorry for ourselves.

Two days earlier, we had arrived in Genoa after a magnificent and occasionally hair-raising drive through the rugged terrain of the lower reaches of Piemonte and Liguria, to find that the guest-house we had booked was expecting us the day before. Twenty-four hours off schedule, and with a large shipping conference dominating Genoa’s hotels for the rest of the week to complicate matters, we were unceremoniously turfed out of said accommodation the following morning. While I, who have been invited to leave much less salubrious establishments than this, met the news with a certain equanimity, without a roof under which to shelter, and quite literally no room at the inn, the combined strain of having single-handedly planned a wedding and honeymoon from New York suddenly hit my poor wife like a tidal wave, and gushing tears of frustration and exhaustion ensued. Where comforting nuzzles from Tim the hotel dog weren’t enough, a liter carafe of white wine and two dozen fried anchovies seemed to have a medicinal effect, but, as calming as that lunch was, in a fit of pique we still decided to put Genoa in our rearview mirror and hit the E80 autostrada down the coast into Tuscany.

After a magnificent drive, framed on our right by the sparkling Mediterranean and on our left by the often white, marble-rich mountains of the Ligurian Apennines, we rolled in to Florence just as the westering sun was painting the city’s monuments the luminous color of dried apricots. Spirits partially restored, and safe in the knowledge that our reservation for the night was kosher, we immediately set out to find something delicious as a salve for our emotional wounds.

Among the several traditional Tuscan comestibles we over-indulged in that evening was a rabbit roll, or involtino di coniglio, stuffed with prosciutto, boiled egg and sage. Dressed very simply with Luccan olive oil and aged balsamic vinegar, it screamed the Spartan simplicity for which Tuscan fare is best-known. In some ways, it also exemplified the ethos of our trip. I suspect some of the wedding guests may quibble, but in our opinion, both wedding and honeymoon, had a pared-down, no frills sense about them. Only a hard core of essential people attended the wedding, and there was little time for luxuriating on a honeymoon in which we banjoed our way around 10 northern Italian cities in a tiny, canary yellow motor.

On our gentle post-prandial stroll, feeling all rosy and content from food, wine and warm night air, we encountered a pair of English honeymooners who asked us in charming pidgin Italian, “por favore, it’s nostra luni da miel…!” to photograph them in front of Santa Maria del Fiore. We were then playfully accosted by a group of tipsy Sicilian students from Catania who made us sing football songs with them and insisted we all shake hands in the traditional, forearm-grasping Roman-style before they would let us depart. This memorable meal and displays of unprovoked goodwill sent us to bed marveling at how such basic pleasures can make ones mind transcend apparent troubles. An important lesson.

In truth, we are fully aware that this was just another sybaritic moment in a month of indulgence, and not worthy of anyone’s sympathy, but I was reminded of this experience and its underlying moral recently when the trepidation induced by the impending arrival of our first-born began to get the better of me. I suspect we shall be leaning heavily on these twin crutches of simple dishes and human kindness very soon.

Being the innate pessimist that I am, watching a small boat being knocked around like a dodgem car on the rollicking, blue-grey seas at the normally placid Jersey Shore this past weekend put me in mind of the Costa de Muerte, the coast of death, on Spain’s north-west coast, where Galician fisherman have taken their lives in their hands for generations. [In a quirk of editorial fate, I may, unwittingly, have taken inspiration for this flight of fancy from the cover (then unopened) of this month's Bon Appetit, but as you will see, if you persevere, there is a mite more detail below than Barbara Fairchild typically provides.]

The ocean’s bounty has never been translated into material riches in that part of Spain, and even in modern times, in spite of renewed interest centered around its albariño and mencia wines, artisanal cheeses, and gooseneck barnacles, it remains comparatively impoverished. Consequently, Gallegos have, for generations, cast their fortunes in the wind and sought better lives for themselves in other parts of Spain and the New World, including Brazil, Uruguay, Venezuela, Argentina, and Cuba.

Interestingly, and this is mostly unrelated, during researching this post, I learned that Fidel Castro’s father was one such Galician emigrant. His mother was also of Galician descent. In fact, Castro is a common Galician family name that is derived from the circular stone-built houses or “castles” of the Castreña — the Celtic Bronze Age culture that left a number of characteristic walled villages across the region. [Ironically, of course, Galician heritage is perhaps the only thing that the communist Fidel shared with his fascist counterpart Francisco Franco, but it was enough for the former to take up an invitation from the-then leader of Spain to visit their shared "home" region in the 1960s.]

The late 19th century marked the beginning of mass Galician emigration to the New World, and an unknown, but significant, number of Gallegos emigrated to Argentina and Uruguay during this period. Today, the two New World cities with the greatest number of people of Galician descent are those countries’ respective capitals, Buenos Aires and Montevideo, so much so, that it is not uncommon for Porteños to refer to all Spaniards as “Gallegos”.

Regular visitors to this blog will, perhaps, recall last April’s post about Argentine pizza which ventured a sociological theory on the impact Italian immigrants have had on the culture and food of their adopted country. It is just possible that I overstated things a little. You see, beyond its magnificent meats, Argentinian cuisine’s next most famous item is not, as I said, its pizza or pasta, but its empanadas. To explain this, I had originally intended to embark on a lengthy discussion of how Galician immigrants were behind the development of the iconic Argentine empanada. Sadly, I could find no evidence whatsoever to support this hypothesis, especially since Argentine empanadas resemble more closely the typical Spanish empanadilla than the much larger Galician empanada, and were likely to have been popular in Argentina long before Gallegos arrived en masse. Instead, a brief description of how we came across Galician empanadas in a veritable sea of Argentine-style pies during our stay in Buenos Aires last year will have to suffice. Sorry about that.

We snacked almost constantly on empanadas with a variety of fillings throughout our ten days in Buenos Aires, and began taking their quality and ubiquity mostly for granted. It was only later on in our visit when we came across Pizzeria la Americana (aka La Reina de las Empanadas), an established bakery and cafe a block from the Palacio del Congreso de Argentina, that we realized not all empanadas are created equal. In this giant place that takes up most of a city block, a bevvy of savory pastries, large and small, sat glowing warmly under spotlights behind glass screens. These piles of regular small empanadas beckoned, crustily, at us, and we would have reverted to habit and ordered a slew of them had we not spied some giant pies on individual cake stands next to them. We hadn’t seen anything like these before — two or more inches thick, baked to a shiny golden patina and filled with, among other things, greens, boiled eggs and ham — yet they were also described as empanadas. What were they?

Even more confusingly, one of the large ones was labelled “pascualina”, a moniker for pies we had come across only once before, and then in Genoa, to describe that city’s special Easter variation of the spinach/chard and ricotta torta de bietole. Could these pies be variations on that? We weren’t sure, and couldn’t summon enough of our tourist Spanish to ask what might turn into something of a lengthy and garbled question about nomenclature, semantics and gastronomic anthrolopology.

Argentina’s ethnic mix has contributed to a unique South American melding of Iberian and Italic culture and cuisine, in which a pizzeria could quite legitimately describe itself as the queen of the empanada, while simultaneously serving Genoese-influenced Galician specialties without breaking stride or encouraging skepticism from potential customers. We were momentarily confused by it all, but decided there was nothing to do but roll with it, and so ordered a couple of giant slices of the empanada Gallega de pollo, which turned out to be a delicious, if over-generous, appetizer for our subsequent lunch at one of the city’s oldest Italian restaurants.

Neither of us had ever had a pie quite like this before. It didn’t really resemble the free-form tuna and sardine empanadas I’d tried in Santiago de Compostela and Vigo years ago, nor was it like an American-style pot pie we’re so familiar with, brimming with sauce and chunky vegetables. With a bready, pizza-like crust, top and bottom, and baked in a dish about the same dimensions as a deep-pan pizza, the filling was a moist and peppery combination of chicken, sauted greens, onions and red pepper. It was absolutely delicious and we have both been raving about it ever since, but everytime we’ve tried to make any of the many variations on Galician empanadas, we’ve failed to produce anything similar, nor have any recipes for Argentine empanadas worked out the right way.

In truth, the, what I’m going to call, Argentine-style empanada Gallega that we did make, wasn’t quite as good as the one we ate in Buenos Aires. The dough was too firm, not bready enough, and I should have tried using a modified pizza dough instead, but the filling more than made up for its shortcomings. In place of chicken, we slow-roasted half a Long Island duck that we had left over in the freezer from the hand-rolled Tuscan pasta with duck ragu and mixed it with sauted kale, green pepper, garlic, smoked paprika (pimenton) and lots of onions.

Experimentation on this front will continue because I could usefully spend some more time beautifying my rather scruffy attempt at a decoration, but also because one empanada fed the both of us for dinner that night and for lunch three subsequent days, and it just got better with each passing meal. Feel free to mess around with the dough recipe to your heart’s content, just as we will when we make this again, and, of course, the filling is entirely up to you too. Duck is kind of a luxury, and chicken, tuna, sardines, boiled eggs, a variety of vegetables, or plain old ground beef, would be absolutely fine. You should also feel free, should you feel geeky enough, to develop your own specious theories about the development of various global cuisines. They probably won’t be any less likely than mine.

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It’s fairly safe to say that no group, with the exception of the enigmatic gaucho, played as significant a role in defining Argentine national character as the Italians. Primarily (and principally, numerically-speaking) from Liguria (particularly Genoa), Piemonte and Tuscany, but latterly also from Naples and other areas of southern Italy, these Italian immigrants, literally by the million, descended on Argentine soil during the last decades of the 19th century and the inter-war period of the 20th century having a profound effect on the social, cultural, linguistic and gastronomic life of their adopted home. (bear with me, this is going somewhere)

And nowhere in Argentina was this impact greater than in the southern barrios of Buenos Aires, La Boca and San Telmo, the neighborhoods where these Italians began their new lives. A (then) new local slang, lunfardo - which not only features a highly confusing form of wordplay known as vesre that reverses words so tango becomes gotan (as in The Gotan Project) and cafe con leche becomes feca con chele, but which is also littered liberally with words taken from various Italian dialects (for example, laburar (to work) instead of trabajar, manyar (to eat) instead of comer) – grew out of this linguistic melting-pot. And it had a similar effect of Italicizing the Porteño diet with such Italian staples as pizza, pasta, gnocchi, and a variety of Genoese chickpea flatbread known locally as faína (similar to the famous farinata of Genoa we wrote about a while back) accompanying the ubiquitous steak and offal on restaurant menus.

Of course, (and paraphrasing Karl Marx) the Argetin-izing of these Italian staples was also just as much of a historical inevitability, and while we’ll revisit our experiences with Argentine pasta in a later post, the focus here is Argentine pizza, and in particular the Buenos Aires classic dish that is the fugazzetta.

More or less three “types” of pizza are available in Buenos Aires: thin crust (a la piedra), a thicker, more risen (1 inch/2cm thick) doughy kind known as de molde, and media masa which is a half-baked version sold in supermarkets to be finished off in the oven at home. An informal and in no way scientific survey by yours truly indicates that a la piedra places slightly outnumber those selling thicker pies, but many of the most traditional Argentine pizzerias we read about, served pizzas in the latter camp, so it was one of the most famous of these that we endured a sweaty, grimy, two-hour walk across town to visit.

El Cuartito is decorated like the bedroom of an aging (and single) sports fan with faded posters for Las Vegas boxing showdowns cheek-by-jowl with team photos of 1980s Argentine soccer champions sporting the shiny, shortie-shorts popular at the time, and is split into two sections: standing and seated. Claiming a table in the seated section, the gruff, white-jacketed waiter – a dead-ringer for Fredo Corleone from The Godfather – plonked down two menus on our formica-topped table and scurried off.

Glancing at our fellow diners it quickly became apparent that Argentine de molde-style pizza is very different from any pizza we had ever eaten. Laden with masses of yellowy-white melted cheese, dotted sparingly with other toppings (like whole green olives and big slices of tomato) and served on circular wooden boards, it didn’t resemble either the pizza we’ve eaten in Italy or in New York or Chicago. Excited at having entered a new realm of pizza-dom, we ordered a pizza mixta (half cheese, half anchovy (no cheese, only red sauce on anchovy side), a fugazzetta, and an order of faína, along with two foamy mugs of Quilmes Chopp (ubiquitous draft Argentine beer).

The first to arrive, the mixta, was about the diameter of a large dinner plate and a shade less than an inch in depth. Half-covered with molten cheese (that tasted like somewhere between a mozzarella and a mild provolone) with the opposing half smothered in a crimson tomato sauce and laced with some giant salted anchovies, it would have been a good lunch by itself, and we were happy, when the fugazzetta hove into view, that “Fredo” our waiter ended up forgetting about the faína. 

Now, remember the seemingly dull linguistic and ethnographic details in the second paragraph? Good, because the word fugazetta is derived from “fugassa” meaning “focaccia” in Genoese dialect, and is the name given in Argentina to an onion focaccia with grated cheese gratiné-ed on top. First created by Genoese immigrant baker Agustin Banchero in La Boca around the turn of the 20th-century, the fugazza has since become famous enough that the family have not only opened a series of Banchero Pizzerias (first one in 1932), but the recipe was so valuable it was patented in the 1950s.

So, then, if a fugazza is a thick onion pizza, a fugazzetta – purportedly invented by Agustin’s son, Juan – is a fugazza stuffed with mozzarella cheese. And, when one arrives on your table with a solid thunk, you realize that this is a serious deal and rightly famous. Our faces were a mixture of surprise, delight and fear when we were presented with ours. Puffed up like a yeasty Michelin man, our fugazzetta was probably three inches thick, oozing with melted cheese and bristling with crispy sweet onions.

Deciding that we should take a brief rest before hurting ourselves on the fugazzetta, we searched for inspiration in the boxing posters on the walls and began humming the Rocky theme tune quietly to ourselves. Immediately to our left, was a framed Argentina soccer jersey, with the phrase “a mi favorito El Cuartito, siempre a mi cariño” (to my favorite “El Cuartito”, always in my heart), signed by one of, if not the, greatest soccer (futbol) players of all time, Argentine icon, Diego Armando Maradona, aka “El Pibe de Oro” (the golden kid).

Now, this was significant not just because a shirt signed by the great man loomed above us like Rio’s Christ the Redeemer statue, but also because, in the context of the giant fugazzetta slumping threateningly before us and our knowledge of recent Argentine history, it appeared more like the Argentine shroud of Turin. You see, (it’s not clear when Maradona signed this jersey), but in early 2005 Diego had to be admitted to hospital to have his stomach-pumped after eating an estimated 25 pizzas during a food and cocaine binge that nearly killed him. If the jersey was inked after this misadventure, one can only deduce that the pizza at El Cuartito is so good it’s impossible to bear a grudge against.

So, chastened by this story of gluttonous daring, but undeterred, we managed to get about halfway through the cheesy, crispy, doughy fugazzetta before conceding a weary, yet happy, defeat. To our right, two Porteños sporting significant bellies, were noisily tucking in to a fugazzetta of their own but, amazingly, were topping it with thick slabs of faína. As we waddled towards the door, it suddenly hit us that we had a lot to learn about the lore of Argentine pizza-eating if we were ever going to be able to compete with the locals, let alone the legends.

Special thanks to La Cocina de Myri for her excellent history of the Fugazzetta I cribbed from liberally above.

The Italian region of Liguria is famous for its dramatic landscape of mountains plunging into crystal clear waters, and narrow terraced fields leading down to tiny, colorful villages precipitously perched on the edges of cliffs of which the Cinque Terre (five lands) of Monterosso al Mare, Vernazza, Corniglia, Manarola, and Riomaggiore in La Spezia province are the most famous. It’s a region of hot, dry summers and cool, wet winters, though the rugged terrain creates many tiny sub-regional micro-climates, and driving through it, you can go from dry scrub oak and wild thyme to olive groves to chestnut forests and back again in half an hours’ journey.

So it is that Ligurian food, like all Italian regional cuisine, reflects the landscape from which it comes, and because of this much of the local food has traditionally come from the few plants that are able to withstand the poor, dry soil, the salty air at low altitudes, and the cold at higher elevations, supplemented by seafood and, occasionally, game and poultry.

**Sorry for interrupting your reading, but I had to find a place to put this picture in. No lie, we passed this goat going about 45 mph in the Ligurian countryside and I thought I was hallucinating. I made Jonny reverse about 1/4 of a mile down a very winding, thin road to find out if I really was on drugs. This Gandolf-looking creature was smiling from behind a very primitive and small barn about 5 inches off the side of the road. I fell in love at that moment. He looked mythical!

In her recent paean to the Liguria of her ancestors, The Lost Ravioli Recipes of Hoboken, author Laura Schenone recalls that while things have changed in modern times, for millenia the fortunes of most of the region’s inhabitants have been directly related to the availability of chestnuts from which many staples were made — including the ubiquitous gnocchi and pasta.

Another plant that grows very successfully in Liguria’s poor soils, as they do a few hundred miles west in the rocky garrigues of Provence where they remain the principle diet of many peasant farmers and, indeed, their livestock, is the chick pea (ceci/garbanzo), and like the chestnut, Ligurians pound the dried cecis into a flour which they use to make a kind of flat bread found nowhere else in Italy save certain parts of Sicily (which is deep fried chickpea dough often used in between bread or as a snack called Panelle – we hope to make this version soon), farinata. The French have their own version of this called Socca, but today we will focus on farinata. Farinata is a kind of street food found in Liguria and can often be treated like pizza as it is often cut into wedges and can come with various toppings like onions.

While we were in Genoa last summer, we saw farinata in bakeries all over the city but, curiously, found that it wasn’t offered in restaurants, though it was probably because of the glut of delicious seafood and various pesto preparations we gorged ourselves on rather than this reason, that we missed out on trying farinata in the region of its origin. Not to be denied though, we sought out some chick pea flour (yes, I know, if weren’t such post-modern bourgeois slacker-tourists we would have pounded our own from dried beans…) at a wonderful gourmet grocers in Park Slope and proceeded to use the wonderful invention that is Babelfish to translate any number of recipes on Italian websites to find out how to make it authentically. If you can not find chickpea flour in your local grocery store, check out some health food shops, Indian and/or Middle Eastern specialty stores. Chickpea flour is a key ingredient to many Indian and Middle Eastern foods.

Regular readers will know that we strive to find and make the most authentic preparations we can, but you will also know that this kind of research often leads to the unfortunate conclusion that there is rarely only one “authentic” version. Referring again to Laura Schenone, who describes farinata as almost like a chick pea flour focaccia – crispy on top and soft and chewy underneath and baked in a wide, shallow pan in a brick pizza oven, we found that this conflicted with our recollections and other recipes we had come across for thinner, almost completely crispy flatbreads. In fact, what we discovered was that the longer the cooking time and the less batter you add to your skillet, the crisper the farinata. Like, duh, right? For a more baked polenta-like consistency underneath with a crisp top, I would recommend pouring enough batter so that it is 1/2-deep and cooking our recipe for 1/2 the time, possibly finishing it off under the broiler for a few minutes. The recipe below will be for a crispy version of farinata – one that almost can crack like a cracker.

**Window shopping in Genoa – check out the farinata being served in the upper right-hand corner

We would like to try the softer version so we can decide which we prefer. Regardless, we thoroughly enjoyed the crispy, thinner and darker bread with its nutty, salty flavor that we made and are enthused to attempt the latter as soon as possible.

Typically, farinata is eaten either alone or dipped in good Ligurian olive oil and sprinkled with sea salt, whereas we decided to use it almost as a canvas for a rather overly decorative carpaccio of zucchini (courgette) with pine nuts, shaved pecorino, and lemon juice. We encourage you to make yourself a farinata or two (preferably not in the hot months as we did, unless you have a good AC!) and eat it anyway you like, reminding yourself, yet again, that peasant food made from humble ingredients is almost always good, and because that’s often all there was/is to eat, it has to be.

CRISPY FARINATA (LIGURIAN CHICKPEA FLATBREAD) WITH ZUCCHINI CARPACCIO SALAD – (makes about 1 12-inch farinata)

Ingredients for farinata:

• 1 1/4 cup of chick pea flour
• 1 1/2 cups of water (maybe a bit more to get the consistency somewhere between whole milk and lite cream)
• 1 teaspoon kosher or sea salt
• 1/4 cup extra virgin olive oil (or enough to cover your pan)
• plenty of freshly ground black pepper
• 6 sage leaves, thinly sliced
• 1 teaspoon of chopped rosemary (optional)

Ingredients for zucchini salad:

• 1 large zucchini, sliced into paper-thin slices using a mandoline
• 1 ripe roma tomato, sliced into small dice
• 2 tablespoons pignoli nuts (pine nuts)
• 1 scallion (spring onion), sliced into thin rings
• 3 tablespoons good extra virgin olive oil
• 1 teaspoon whole grain mustard
• 1 salted anchovy filet
• 1 tablespoon fresh lemon juice
• pinch of salt and black pepper

What to do:

1. Sift your chickpea flour in a bowl and add your salt, pepper, sage and rosemary. Stir generously.
2. Slowly add your water, whisking the whole time allowing everything to be incorporated (again, you want the batter to be about the consistency of whole milk/light cream).
3. Allow your batter to rest for at least 1 hour or as long as overnight.
4. When you are ready to cook, preheat your oven to 425 degrees. If any foam has surfaced on your chickpea batter, remove with a spoon.
5. Pour olive oil into your 12-inch baking pan – preferably a cast iron skillet. You want the olive oil to generously coat the bottom and sides of your skillet.  Add your batter until it is about 1/4 of an inch  if you want it super crispy or  1/2 inch deep if you want it thicker and possibly softer.
6. For a crispier farinata, bake for about 30 minutes. Check on it, though, as ovens differ and you do not want the batter to burn! If you want it a bit softer, I would recommend baking for about 15-17 minutes and then finishing it under the broiler for a minute. Allow to cool before cutting!
7. Slice zucchini into very thin, long slivers using a mandolin or a very sharp chef’s knife and thinly slice/dice your other veggies. Arrange everything on top of your farinata and sprinkle with pine nuts.
8. Using a mortar and pestle, pound the anchovy and the mustard together and squeeze in the lemon juice and then mix well. Immediately before serving, whisk in the olive oil to make the vinaigrette. Season with salt and pepper and drizzle all over the zucchini carpaccio and farinata.

Check out some other posts you may enjoy:

• BEET AND RICOTTA FILLED RAVIOLI WITH BROWN BUTTER AND POPPY SEEDS
• ITALIAN-STYLE SLOW ROASTED PORK SHOULDER WITH SALSA VERDE
• FUSILLI WITH SALSA DI NOCI AND MUSHROOMS (WALNUT PESTO)
• European Roast…? (Why Coffee Tastes Better There)
• Drink of the Month: Vin Santo (May, 2008)

There are a handful of things that have made Genoa famous, amongst them pesto and Christopher Columbus. Interestingly, in all the many, many stories told by Scheherazade (to persuade the emir not to have her killed) in the Arabian Nights, the only European city to be mentioned is Genoa. And, when you visit the city it is immediately apparent why Arabs, used to the mazy streets of the souks of North Africa and the Middle East, could base tales of intrigue and deception there.

Set on the side of a series of steep hillsides on Italy’s Ligurian coast, Genoa (Genova) has remarkably medieval feel to it with its rabbit-warren streets lined tightly with buildings that prevent sunlight from reaching the ground. This, together with the soupy local patios with its French and Portugese inflections, and you almost feel like you’ve left modern Italy and arrived somewhere in the 13th century.

All of which sounds terribly romantic and redolent of mystery and adventure, and, well, it is, except when you’re entering the city at rush hour without a clear idea of where your hotel is, and you desperately need to pee after a three hour drive. Happily though, once installed in our B & B and fortified by a few glasses of wine – hastily thrown back, we began exploring the city’s mazy streets in the growing dusk, emerging periodically, like moles from a hole, onto a variety of piazzas wondering how the hell we got there, and thoroughly enjoying it.

Eventually, we found some semblance of bearings, so that the next day we managed to locate a restaurant our host had recommended for its typical Genoese cuisine for lunch. The previous evening, we had dined on fried fresh anchovies and langostines near the harbor, and so that lunchtime we were looking for pasta. Call me predictable, but I had to have pesto, you know the basic pesto made just out of basil, pine nuts, parmigiano-reggiano and olive oil, so I ordered spinach tagliatelle with pesto alla Genovese. Amy, though, went for another Genovese specialty, ravoili with walnut cream sauce or salsa di noci.

Now, it’s not uncommon for us to rave on about something perfectly simple, and indeed, patient readers, this dish is precisely that, but at the same time, and as you probably know, we don’t get all worked up over nothing. This sauce really is a badass. Trust us, we wouldn’t steer you wrong. In fact, the only thing that could have made the remake – recipe below – as enjoyable as the original we ate in Genoa, would be if we could have placed another table in our apartment and installed the wiry, old gent who sat opposite us at it.

PASTA WITH SALSA DI NOCI (WALNUT SAUCE) AND MUSHROOMS (Serves 3-4)

Ingredients

• 1 1/2 cups walnuts, boiled for 25 minutes
• 1 cup of parmigiano reggiano
• 1/4 cup lite cream
• 1/2 cup milk
• 2 slices white bread soaked in milk
• 1 pack of mushrooms (your choice – we used white button)
• salt and pepper
• 1 pound pasta (we used long fusilli)
• optional: fresh thyme for garnish
• blender or food processor

What to do:

1. This is so easy to make, I could cry. Boil your walnuts for 25 minutes to remove some of the bitterness and soften. Drain and set aside.
2. On a plate or in a deep dish, soak two pieces of crustless, cheap white bread in some milk so it soaks it all up. Allow to sit for 5 minutes or so.
3. Get out your blender or food processor. Throw on some extra salted water to boil for the pasta.
4. In a pan, add your sliced mushrooms along with some olive oil or a pat of butter and saute until firm-soft.
5. Blitz the walnuts until fine first then blend all the rest of the ingredients together : the milk-soaked bread, the walnuts, the cheese, milk and cream along with a pinch of salt to taste. Add your pasta to the boiling water and cook till al dente.
6. Add the sauce to the pan with the cooked mushrooms, stir and warm on low for a bit. When pasta is done, add a bit of the pasta water to the sauce (maybe 3 tablespoons at most) and then add your drained pasta to the warming walnut sauce. Toss.
7. Plate your pasta and top with some fresh thyme, a bit of freshly ground pepper and some extra parmigiano. Enjoy with a big glass of red wine.