I often think that living in a small scruffy New York City apartment is akin to a pioneer life in a log cabin somewhere remote. Sure, the commute is easier, but the myriad quotidien affronts and man traps of a city existence certainly resemble the perils of life on the range.

This is never more true than in winter when leaving your apartment on an icy weekend is about as enticing as wading through thigh-deep snow while being pursued by a pack of ravening wolves. On the those days, when opening your front door results in a nasty swirl of city trash blowing across your threshold, there is nothing better to do than hole up and compensate for your super’s inattention to heating your building to legally established levels by braising something porky for however many hours it takes to chase the chill back, at least as far the verminious bathroom and its dripping condensation.

In this case, it was some seriously chunky pork neck bones – whose original owner must have been a champion of his breed – braised in a rosemary-scented Guinness broth. Typical of parts of the English Midlands where malty, hoppy ales abound and rare breed pigs grow fat on acorns, apples and whey, this is an ancient recipe and in it lie the origins of the famous baked bean dish that, when transposed to the rather more Puritanical colonies, banished the beer in favor of the sweetness of readily-available sugar coming up from the Caribbean, so becoming Boston baked beans. For those pioneers, the presence of such a stew on the table during a long Massachusetts winter must have been even more important than for us hard-pressed city dwellers today.

It is also very similar to a stew my Great Auntie Annie used to make when a crowd of family descended on her Solihull semi-detached so that the grandkids could spend the day riding around the garden on her husband’s 1/16th scale-model railway. It’s not clear to me how often Great Uncle Roger used his train when there were no young guests in the house, but I rather enjoy the idea that if you peeked through the box hedges of a quiet Birmingham suburb on any given weekday morning you might find a highly eccentric retiree rushing around his back yard on a toy train.

For we grandkids, all the excited shreaking and ducking under low hanging bushes as the train chugged around at a decent clip always left us red-faced and famished. My Great Aunt, the youngest of nine kids, knew instinctively how to cater for large groups of young ‘uns, stretching a cheaper cut of meat with white beans, potatoes, and iron-rich ale.

The quality of the final product relies greatly on the quality of the beer used in the braise. Lager is of no use here and light beer (if it is ever worth drinking) should be completely avoided. A fine malty and/or hoppy English-style brew that will give strength, depth and some sweetness to the stew is what you’re seeking. Auntie Annie used to use Flowers’ Original, a floral English ale (then) made in nearby Stratford-upon-Avon. Similarly, pork necks with plenty of connective tissue and marrow are ideal because the former breaks down to thicken the sauce and latter makes a simple and rustic dish somehow luxurious.

Of course, unlike life in the country where heating is controlled by the number of logs on the fire, your apartment heating is bound to come on, clanking and groaning itself into overdrive, just as you plate this dish, forcing you to sweat through it, and all night long in your bed, in spite of the open window. The following morning, perhaps only to escape the dry, oppressive internal conditions, the grey, freezing city will magically appear more inviting and your struggle on the subway marginally less onerous.

We understand from our Colombian friend Juan Camilo (who longtime readers may remember from this podcast) that the Bogota nightlife is on a par with any of the world’s party capitals, and that when it comes to late night boozing, the aguardiente-loving natives of Colombia’s capital are among the most experienced. It should come as no surprise then that they have also spent some time figuring out effective cures to the inevitable DT’s the morning after — something that I am sure Charlie Sheen, with his well-known enthusiasm for the odd briefcase of Colombia’s most famous export, already knows about.

Across South America, hangover cures tend towards the liquid — Peru’s famous leche de tigre (“tiger’s milk”, the citrusy liquor leftover from ceviche preparation) and the shrimp and coconut milk stews of Brazil — and are more similar to chicken soup as a cure-all than the meat and starch heavy plates bleary-eyed North Americans and Brits swear by. In caldo de costilla, Colombians have a dish that may well raise the dead as easily as cure the hungover. An intense beefy broth surrounding hunks of braised short ribs and root vegetables, and garnished with lime juice, chopped onions and, occasionally, aji (a spicy vinegary condiment), it restores dehydrated cells, fills the growling belly, and enlivens the palate in one fell swoop.

As a devoted family man himself, Charlie Sheen might appreciate the nutritive value of such a soup on a weeknight as much as after a 7-day Vegas bender, and indeed, such were the circumstances of our own enjoyment of it recently (the former, not the latter). Worn thin by the fearsome demands of work and family, this soup helped us pull body and soul together on a Monday night and gird ourselves for another grinding week. We may not have leaped out of bed the next morning, but that had more to do with us not having been on a drug called Charlie Sheen than anything attributable to the soup.

So much of what we think we know of Haiti is bad – from the massive human suffering and destruction caused by January’s earthquake, to decades of political and social unrest, to blood-curdling tales of voodoo curses and zombies – that one might be forgiven for wondering how the inhabitants of such a benighted country make it through the day. Perhaps surprisingly, it’s often the case that where there is the greatest suffering, there is also the most joyous celebration – think the wildly over the top bedazzled costumes and deafening samba baterias coming out of the most ravaged Rio slum at Carneval – and so it is in Haiti, and nothing says celebration to a Haitian like griyot.

Grillot/griyo/griyot/griot (pronounced gree-oh) and its accompaniments of sauce ti malice (sos ti malice) and rice and beans constitute one of Haiti’s handful of national dishes, and no Haitian party can be considered a real knees-up without it. This is particularly so on January 1, Haiti’s National Day, recalling the country’s 1804 declaration of independence from France and its arrival on the international scene as the first independent nation in the Caribbean and Latin America, as well as the world’s first black republic, and from whence it took the lead among non-English speaking nations of the western hemisphere in promulgating ideas of liberty and equality. This early split from the colonial power and the country’s several subsequent lapses in to chaos have allowed Haitian culture and cuisine to preserve its African heritage and develop in its own distinct way, largely undiluted by external influences. Ways of which we were almost completely ignorant until we ate our first meal at Kombit – a Haitian restaurant we were lucky enough to have in our neighborhood

We quickly became regulars at Kombit, the sheer novelty of having a Haitian eatery close by (not to mention the raft of delicious and completely unknown dishes) took a long while to wear off. Possibly due to the fact that we were consistently among the few non-Haitian diners, or perhaps because we always asked stupid questions about their food, owners Pascale and Marie began to recognize us, and, eventually, took rather a shine to us two inquisitive but entirely ignorant enthusiasts. Each time we visited they would patiently and smilingly respond to our inane inquiries without ever really revealing much about how the dishes we were enjoying griyot, sauce ti malice or their unbelievably special rice and beans, were made.

Ever since that first experience some six or more years ago, we’ve wanted to try to home-make griyot, and after recently getting our hands on one of two Haitian cook books in print in the United States, we reserved most of a weekend and set to work. The weekend reservation was necessary because – like many flavorful and traditional dishes, preparation ahead of time and patience are necessary – griyot is, as you’ll see if you scroll down, one of several dishes that are dependent on each other, and, if you’re not Haitian and, therefore likely to have some of these staples already hanging around, you have make them in a certain order.

Starting with the griyot – a very rustic and filling dish of marinaded, then braised, then fried pork chunks – you must be prepared to wait at least 24 hours after starting the preparation to eat it, but it is well worth the wait. The texture of it, crispy on the outside and soft inside, combined with the myriad tropical flavors filling your mouth, is quite something in itself, but when paired with its natural partner of rice and beans, it transcends its rusticity to become a truly world-class dish. In complete honesty, Haitian rice and beans are, by a margin, the best I have ever eaten. Smoky, savory and satisfying, these rice and beans are so freaking good that you would be perfectly happy to have a plate, by itself, for dinner. Every night.

We wrote way back in the spring about the Burmese national dish, Own-o Kow Swear, and noted that condiments played a crucial role in that country’s cooking. So it is in Haiti, except that there are far fewer condiments, and the few they have, are used with the same regularity as ketchup in America or olive oil in Greece. Rather handily, both of the two principal Haitian condiments, piklis and sos ti malice, work magnificently with griyot, though since the former is a fiery concoction of scotch bonnet peppers, allspice and vinegar, one should demonstrate restraint in its use in order to avoid the obvious pitfalls.

It sounds anything but appetizing, but sos ti malice – a reddish-brown, thinnish gravy, scattered with a few bits of onion and pepper – is served by the bowlful at Kombit, and we almost always have to order extra it is so good. They serve it with all sorts of dishes, but it is most appropriate with griyot because (although Pascale and Marie never revealed this to us) both the marinade and cooking juices from the griyot are used in its preparation, giving it an incredible complexity and satisfying savoriness.

Please don’t be intimidated by the length of preparation time, the seemingly exotic ingredients or the long list of recipes below. All are very easy to make, the ingredients are fairly easy to find even in an average supermarket, and most of the time you can put your feet up or do something else entirely. Out of the 24 hour (36 hour for piklis) preparation time, you’ll probably be only actively cooking for around 3 hours at the absolute most.

So, for your next celebration meal, consider making griyot and its associated dishes. They really are almost indescribably good and after eating them you’ll certainly be thinking about Haiti in a whole new light.

It might be generational, or, perhaps, philosophical, but there are, on the one hand, those who enjoy and appreciate handmade things, and the art and craft they require to make, and, on the other, those who prefer their things machine-made, reliable, and standard. The ‘things’ here could be quite literally anything. My father, who, to me, is the quintessential scientist and pragmatist, believes that most, if not all, advances for the betterment of mankind have come as a result of the increased use and application of machines, technology and science. In fact, he would argue, I’m sure, that this blog is evidence of the fact that even something as Luddite as cooking can be improved through the application of technology, though regular readers – with good reason – may not agree.

My mother was cut from very different cloth however, and, though a nurse who believed sincerely in the power of modern medicine, sanitation and inoculation, she was a true amateuse of a hand-turned chair-leg, a cut-glass goblet, and, much to the detriment of my appearance during my tender years, a hand-knitted sweater.  She was also a great lover of gardening, baking bread and, despite the fact that it rarely worked, yogurt-making. I think it’s from her that I get most of my culinary instincts, as the very notion of spending three or four hours in the kitchen doing anything would horrify my dad.

Pasta-rollers, like all machines, were invented for three main reasons: (1) to produce more quickly what used to take a long time (2) as a uniform-quality product, and (3) so that the resulting free time could be spent either more enjoyably or industriously. The assumption behind it seems to be that it makes it easier to make something that is typically quite tricky, and that the making of it by hand was a laborious pain in the ass. Those who have used a pasta roller, whether the hand-crank variety or the KitchenAid attachment, know, as we do, that it is a fabulous invention and enables even the busiest gastronome to home-make great fresh pasta in a relatively short time. They might also have found that it is actually fun to use because it combines the joy of mixing a dough by hand with the ease and convenience of not having to roll it out and cut it yourself.

Taking this notion of fun to its logical extreme this past weekend, I decided to devote my entire Sunday to doing the whole thing – the mixing, the rolling and the cutting – by hand. In spite of the recipe book’s warning that it was a painstaking exercise, I had little idea of what I was getting into. I now have a profound appreciation both for labor-saving machines, and the unique taste, texture and satisfaction derived from hand-rolled pasta.

But it is more than that. I learned something about myself on Sunday. In some ways, it was a revelation. I had always thought that I appreciated handmade things, particularly food and wine, with the all patience, care and skills that their creation implies, but I had never actually tested myself to see if I could enjoy hand-making something that required real patience and physical effort.  And, while there certainly were moments in which I did not enjoy being patient or the physical effort, on the whole, I really did find the process to be incredibly rewarding – relaxing almost. Not only did I (eventually, and with several abortive attempts) make some absolutely first-class pasta, but I learned a new technique and was, in the end, able to enjoy the fruits of my labor in a way I never have before.

Pici Keen

Famous for the lavish displays of wealth and the beautiful arts of the Renaissance found in Florence, Siena, Lucca and Pisa, Tuscans are, by contrast, rather austere in their culinary inclinations with their love of simple grilled meats, stewed beans and saltless bread. Such austerity requires the freshest and best ingredients in order to be delicious, and, fortuitously, Tuscany offers these up in great bounty. Similarly, it often requires great effort and technique.

So it is with Pici (also known as pinci — hand-rolled, eggless Tuscan thick spaghetti — perhaps the best example of this cucina povera (poor man’s cuisine) — utilizing only 00 flour, water, green Tuscan olive oil and a lot of time and effort. Indeed, it is my belief that what the poor, historically, lacked in wealth they more than make up for in patience, and disposable time. Originating from the Val d’Orcia region (the area between Montalcino and Montepulciano), pici are usually eaten with a rich meat sauce, often containing porcini mushrooms, but any hearty meat or game ragu would be a good choice.

The duck ragu recipe below is typical of the region of Arezzo which is the area where we got married in June 2007, and making it engendered all those kinds of warm feelings one gets from a house filled with delicious smells and the wonderful memories of the time of our lives.

Learning a new skill, and in this case, a new recipe, is a matter of managing to overcome self-doubt. Before you attempt making pici, I would highly recommend you try making a regular long pasta with an egg dough, so that you understand how it should feel and look. It will also allow you to develop a sense about the right elasticity of a good dough which will be useful even though Pici dough is a very different creature altogether.

If you follow the exact instructions below, you’ll probably find that your dough feels too dry and too heavy. Do not be afraid to add more water and more oil as you see fit because eggless doughs can easily become brittle when allowed to be too dry. However, do not abandon hope. I urge you to stick with the basis of the recipe (allowing for various seasonal, regional, altitudinal and indoor-outdoor climactic conditions) and overcome your fears of impending culinary disaster, as they will not materialize. If it feels too dry, add more water. Too wet, add flour until it feels right. One word of caution, though: be sparing in any additions of liquid or lipids because at the hand-rolling stage you will be adding extra olive oil to reduce friction and facilitate the rolling process, and you don’t want to find at that stage that you have to start all over again.

Also, do give yourself plenty of time. An otherwise lazy Sunday afternoon is perfect for this, as not only does the pasta make a perfect Sunday night dinner, but, more importantly, it gives you time to rest as you go along. Making enough pici for four people can be a tiring business, even if there are two of you on the job. One final proviso, do not treat pici like regular fresh pasta — i.e. sprinkle it liberally with flour and allow to set-up and dry for a while prior to cooking. I refer to my earlier comments when I say that pici can dry out and become brittle very quickly, so when you make them, plan to eat them within, at most, a couple of hours. This might appear like a disadvantage but it’s not because once cooked they are probably more robust than regular pastas and even reheat remarkably well.

So, please try making this dish. The sauce is easy and indescribably good (I know everyone says that about their food, but, really, this is very special), and the pasta is a great reward for some hard graft both corporeally and in that it offers a real sense of achievement. By the time you’re done, you’ll have sore shoulders but will have mastered the rolling technique perfectly. As a result, pasta-making will have transcended the bland uniformity of the machine-age and become what all good food should be: absolutely unique and deeply personal.

A few years ago, my local favorite Thai take-out royally f’ed me. Ok, I’m exaggerating a bit. Have you ever had a restaurant you used to love and then horrible customer service just made you reconsider your obsession with them? Did you feel personally offended because over the course of many, many years of patronage (meaning you felt like you single-handedly kept their sorry arses in business?), they ruin the love affair with a few bad decisions? Maybe you wouldn’t want me as your customer but I usually have a “three strikes you’re out” rule but that one bad day, the day I was a bit hungover and desperately needed the sweet and salty taste of some Thai food, my local joint let me down big time. I responded with a few mean reviews on our Brooklyn/NYC online restaurant review websites. Then I vowed I would never, ever return again… no matter how bad I wanted that delicious Penang Curry. And guess what, I did it. To this day I have never returned. When I want to stand my ground, I do. But I have finally realized that my business did not keep them open and they continue to thrive locally. Whatever…

During my hiatus from the local Thai restaurant, I did learn to make some Thai-inspired dishes at home. One is this fabulous calamari salad. What I love the most about this is that it is the perfect mix of healthy and unhealthy. Yes, you have to fry some calamari, but it’s laying on a bed of napa or savoy cabbage and some other veggies. I guess you could make this with some grilled calamari if you want to really go healthy (or if you just hate to fry). It’s super easy to make and actually makes a nice meal.  I had a nice bottle of thai sweet chili sauce, but you can also make your own very easily.

Many of European countries have a one-pot dish into which odds and ends of the beast and various cheap vegetables are thrown, and cooked until all components sit fall-apart tender in a rich broth. Examples include Lancashire hot-pot in the UK, the famed French pot-au-feu, and the various cocidos of Spain.

Depending on where you’re eating one of these stews, you may find it all served together – the pot placed in the middle of the table for diners to dip a ladle into and fish for the tastiest morsels – or in a series of courses beginning with a soup course of the broth (caldo), followed by a vegetable course, and finally the meat.

With the long-awaited advent of spring, we realized that our opportunities for making such a dish were melting away with the last rimes of dirty snow. So, armed with a foot of fresh morcilla found at the (ultimately rather disappointing) Essex Street Market, a pound of dried chickpeas, and several large slabs of pork belly (courtesy of the very magnificent Mitsuwa Japanese supermarket in Edgewater, NJ), we decided it was now or not until the fall.

Everything we’d read suggested making cocido took both a long time and wasn’t easy. Happily, neither of these proved to be entirely true, and if you’ve got a couple of hours to spare one weekend, you can, with minimal preparation, make yourself a wonderfully flavorful three-course meal for 6 people without even breaking a sweat.

Though research suggests it doesn’t conform exactly to a typical Cocido Madrileño, this preparation closely resembles the cocido we ate in Madrid last year, and, ingredient-wise, is very similar to an Asturian-style Cocido Montañes with the exception of using chickpeas (garbanzos) instead of white beans.

For us, in spite all the porky deliciousness of the meats, the broth was the best part of this dish. It was incredibly delicious and was so infused with the flavors of all the ingredients that it was impossible, even in taking a small bit of each meat and vegetable in a mouthful, to get the same flavor.

Ultimately, the best thing about this cocido was not just the great satisfaction derived from a simple, peasant dish, but that it made us feel oddly wistful about the departure of winter. A feeling we did not anticipate at all.

File this one under “utter fabrications told to you by older sibling and believed for too long”. I must have been very young when my sister (15 months my senior) informed me that I should be wary of eating my grandmother’s suet dumplings because suet was the gooey material supporting bovine eye-balls. Quite where she got this idea from, I’m not sure, but she seemed to believe it and, as a credulous juvenile, so did I. And so convinced was I, that until some brief research yesterday proved her to have been telling porkies, I had held it up as truth for the intervening 25 years or so. Why I found her a credible source about this I have no idea – she’s been a vegetarian since the age of 12, and an extremely picky eater before that.

Suet is, in fact, raw beef fat that is typically from around the animals’ kidney or loin area, and while that may not be a much less appetizing prospect than eye-socket, it certainly helps explain why it should be used in the preparation of a traditional British dumpling. It’s basically a firm kind of lard that melts perfectly at the relatively low temperatures found on top of a stew, which is where a British dumpling is typically found.

American readers will be forgiven for commonly associating dumplings only with Chinese restaurants, or at the outside, with Russian or Polish cuisine, but in the northern reaches of Britain, suet dumplings are, or, at least, were a frequent sight floating on top of a thick stew during the winter. And indeed, suet dumplings do look and taste a bit like their Chinese counterparts – slightly chewy and definitely filling, except that they’re much less uniform in shape and are not wrapped in pasta, the filling is the dumpling, basically. Suet as an ingredient though, is not confined to the creation of floaters, it’s also used in the recipe for other traditional British favorites as spotted dick, pastry, Christmas pudding and mincemeat, demonstrating remarkable flexibility as a fat and flavoring.

Suet is also commonly used throughout the Caribbean in the preparation of patties, particularly in Jamaica, and I think that this is the reason for it appearing on the shelves of our local supermarket, as not far from us resides a large and vibrant Caribbean community.

We’ll definitely be exploring some patty recipes with suet in the near future (a $2 package goes a long way), but for the time being, please consider searching out some suet and making yourself a good old British dinner this weekend. It’s on oft-repeated maxim among survival experts that icy temperatures can best be braved when you’re core is fired with plenty of firm beef fat. I’m not kidding.

Chicken & Root Vegetable Stew with Herbed Suet Dumplings (serves 4-6)

Ingredients

• 4 bone-in chicken breasts, or (preferably) 6-8 bone-in chicken thighs
• 1 large yellow onion, roughly sliced
• 1 large leek, cut into 1 inch chunks
• 3 large carrots, cut into 1 inch chunks
• 2 parsnips, cut into 1 inch chunks
• 4 medium potatoes, cut into eighths, or 2 inch chunks
• 4 cloves garlic, roughly chopped
• 1 bouquet garni (store bought, or wrap parsley, bay and thyme in the green part of a leek and secure with string)
• pinch of hot pepper flakes
• 2oz (50 grams) dry white wine
• 3 tsp olive oil
• 2-3 pints (1-1. liters) chicken stock (depending on size of pot you’re using)
• 2oz (50 grams) plain flour
• salt and black pepper

For the dumplings:

• 4.5oz (125 grams) plus a bit more, plain flour
• 2oz (50 grams) grated or very finely diced fresh suet
• 2-3oz (50-75 grams) water
• 1/4 tsp baking powder
• 1 tsp kosher salt
• 1 tbsp chopped parsley

Recipe

• Heat oil in large heavy casserole or dutch oven to medium.
• Dust chicken pieces with flour and sprinkle with salt and pepper and place in pot. Allow to brown well on all sides – about ten minutes.
• Remove chicken and add onions, carrots, potatoes, parsnips and leeks. Sweat until lightly browned, about 6 minutes.
• Add garlic and hot pepper, and cook for a further 2 minutes, or until garlic softens and perfumes room.
• Deglaze pot with white wine or 2oz of the stock. Make sure all the caramelized chicken juices come up before adding remaining stock (or enough to cover contents) and bouquet garni.
• Cover and allow to simmer for around 40 minutes.
• In a bowl, combine flour, baking powder, salt, chopped suet and parsley. Mix well.
• Add half of your water and stir. If dumpling mixture is too dry add more, but you’re looking for a dough that’s nicely sticky and elastic, not too damp.
• Then using two tablespoons, make quennelles with dough and removing the pot lid, gently plop them into simmering stew. Alternatively, flour your hands well and make squash-ball size dumplings and drop them in.
• Then, re-cover stew and allow to simmer for another 10-15 minutes.
• Serve in a bowl and allow to stick to your ribs. Repeat with second helpings.